Jim recommended this book to me a while back, and he never recommends fiction. His recommendation was well-merited. This is a simply amazing book. The plot involves a Russian aristocrat who is sentenced to house arrest at a Moscow hotel. But the book is so much more than that. It chronicles the massive societal change from the Russian monarchy to post-Stalin Soviet Union. It is a commentary on life and the twists it can take. It deals with love and loyalty and sacrifice. It addresses the complexity of friendship. And it is an intricately plotted and lyrically written book. All of these sentences accurately describe the book, and yet none of them do. All I can say is I rarely give five stars to a book, and I didn’t even hesitate after reading this one. If you haven’t read this book yet, you are missing out (and at 500 pages, it’s an excellent quarantine read!).
I have to admit I was unenthusiastic about reading this book, as it was an assigned book for our son’s 11th grade English class. (Assigned reading is about as appealing to me now as it was when I was in high school.) That being said, I was pleasantly surprised by this book. The book takes place during the events leading up to John Brown’s ill-fated raid on Harper’s Ferry. Henry Shackelford, a slave, is mistaken for a girl by John Brown and his army, and it is from Henry’s perspective that we witness the various events leading up to Harper’s Ferry. Topics such as gender roles, slave vs free, abolitionists vs pro-slavers are all deftly explored in a spirit of genuine curiosity and open-mindedness. The author makes no heavy-handed proclamations but weaves the historical events and characters (including visits with Harriet Tubman and Frederick Douglass) together seamlessly with the protagonist’s personal journey of growth and self-knowledge. The end is well-known, of course, but the book is filled with depth, emotion, and a love for humanity that makes it well worth the read.
Sharon Penman is one of my favorite authors (she ranks up there with Jane Austen and J.R.R. Tolkien) and certainly my favorite author of historical fiction. Devil’s Brood describes the internecine warfare and deteriorating family relationships of the sons of Henry II and Eleanor of Aquitaine. (The Plantagenets make the Kardashians look like a stable and wholesome family.)
Every good historical fiction author does impeccable research and brings to life real life characters. What this author does that is head and shoulders above the rest is to imbue each character–whether primary, secondary, or tertiary–with a sense of believability and humanity. The characters are accessible, heroic, and flawed. You come away from reading this book knowing this version of events is how history actually unfolded and that truth has emerged from the author’s pen.
For those interested in medieval British history or historical fiction in general, check out Sharon Penman’s works. The Plantagenet saga is best read in order.
I bought this book because it is uncommon to find English language historical fiction books about China. This book takes place in 14th century China, at the end of the reign of Kublai Khan (the grandson of Genghis Khan). The main character is the granddaughter of Marco Polo and, due to a variety of reasons, leaves her home to find her grandfather’s people. She is accompanied by various friends and relatives.
The historical period is interesting enough, and the historical detail is well integrated throughout the book. But I found the writing flat and without depth. And the characters were not interesting enough for me to be deeply invested in their fate. In fact, the story ends on a cliffhanger (which also annoyed me because even in a series, each book should be self-contained enough to stand on its own), but even that is probably not enough for me to read the next one in the series.
I say this with some disappointment, as I was truly hoping I would like the book. And I did enjoy it–it was a fast and easy read of an interesting historical time. Unfortunately, the book just wasn’t compelling enough to entice me to read the next one in the series.
This is the 3rd book in the Saxon series (I know–I am way behind), and this one is my favorite so far. (Which is not to say that I disliked the other ones.) But by book #3, Uhtred’s personality is well-established as one where he knows perfectly well what he should do but often ignores it in favor of what he wants to do. (Trust me, so far there is no moral lesson to be derived from Uhtred’s behavior.) He continues to be snarky and sarcastic and irreverent, and I love him.
This book also deals very little with Alfred. Alfred the Great is one of my favorite characters in history and so I’m not always thrilled with the treatment he gets in this series (suffice it to say that Uhtred is not a fan). That being said, I like the fact that the author is willing to go against the commonly held conceptions about Alfred even as I cling to my illusions.
As always, the book is quintessential Cornwell. It is gritty and violent and gory, with no attempt to prettify the historical context. You can almost hear the grunts and screams of the men in battle and feel their swords slice into flesh.
If you haven’t read this series, I highly recommend you do so (but do it in order). I very much look forward to reading the next installment!
When I first realized a few pages into this book that Achilles was going to be the hero of this particular novel, I did a mental eye-roll (I may have even done a physical eye roll). Achilles has never struck me as being anything but an arrogant, petulant and sulky “hero” during the Trojan War who got his comeuppance too late as far as I was concerned.
That the author managed to convince me that there may be more to this Achilles fellow than I had previously given him credit for is a testament to her writing, her imagery, her characters, and (possibly) her imagination.
The plot isn’t much of a surprise, but the characterizations are the author’s own, and it’s a testament to her detailed writing and her passion that they are convincing. The author’s writing is lyrical and vivid and a complete pleasure to read. I strongly urge you to read this, if you have any interest in Greek mythology at all, and I very much look forward to her next book!
I have long been a fan of M. M. Kaye’s books and had an opportunity to re-read this one, as it recently became available in e-book form. I had forgotten how beautiful a book it is. The author’s experience living in India gives the book a ring of authenticity. The book is a lengthy one and traces each main character’s back story before pulling all of the disparate threads together in one story. And what a story! The main character is Ash Pelhem-Martyn, who is pulled in two directions as a member of the British upper class who grew up thinking he was Indian. The author is knowledgeable about Indian life and customs and interweaves the romance with the British rule in India and Afghanistan. The novel has an epic narrative sweep without the sensationalism that often accompanies those types of novels, and the author’s prose is compelling and readable.
I rarely give 5 stars for a book, but I give that rating to this book without hesitation. If historical fiction is a genre you appreciate, I cannot recommend this book highly enough. Read it now! 🙂
“The Forever Queen” is the first book of two about Emma of Normandy, who married Aethelred of England (known as the Unready) and slowly transforms from a shy and timid girl into a woman of confidence and self-assurance who knows what she wants. And what she wants is to be Queen of England and to do the best she can for her adoptive country. Book #1 is the transformation of Emma with secondary characters including her first husband, her stepsons Aethelstan and Edmund Ironside, her sons Edward, Alfred, and Hardecanute, and her second husband, Cnut. Also starring in a prominent role is Earl Godwin, a stalwart ally and friend.
The events covered in this book are not well known–most know British history starting with William the Conqueror. The book is well-researched, and the author does not shy away from the violence of the time (although it is never gratuitous, it is often graphic).
In some ways, Cnut is the most fascinating character in this book, as he evolves from a Danish savage to a strong and respected English king. But the book is Emma’s story and her single-minded devotion to the well-being of England. I highly recommend this fascinating read!
I rarely give 5 star ratings, but Sharon Penman’s novel on Henry II, Eleanor of Aquitane, and Thomas Becket deserves the rating and more. This is the second in the author’s Angevin series. And while I think no writer or historian can ever completely understand how the marriage between Henry and Eleanor unraveled and how the deep friendship between Henry and Thomas Becket disintegrated, Ms. Penman comes as close as possible to doing so. Her Henry is a complex man–brilliant, determined, and unable to part with any degree of power. Eleanor is equally brilliant and stubborn, but she is constrained by the medieval role for women and chafes at those bonds. Thomas Becket is a man whom Henry elevated from humble beginnings who turns his allegiance from king to God after being appointed Archbishop of Canterbury.
The backdrop is the middle ages–a time of savagery and violence but also a time of deep faith and loyalty. The author depicts the historic events in the context of its time, portraying all of her characters with clarity and yet at the same time, with understanding.
The research is impeccable (with a comprehensive Author’s Note with additional information), the characters vibrant and realistic , and throughout the book, you sense a deep understanding by the author of the subject material and fondness for the people she touches.
The only critique I can give of this book is that it ended, but I reassure myself that there are still more of her books to read!
A good friend recommended this book to me, since I am also a huge fan of Sharon Kay Penman’s and Bernard Cornwell’s books. I won’t admit this to my friend, but he was spot on with his recommendation. 🙂 “Outlaw” is the story of Robin Hood told from the viewpoint of Alan a Dale. The story is told very much in the Cornwell style–gritty, violent, and occasionally very gory. But Angus Donald’s writing is more well-rounded than Cornwell’s. The characters are better fleshed out, and the pacing is even stronger. Robin is a flawed but heroic character, with strengths and weaknesses that are well developed. The historical setting is full of accurate period details and are effortlessly incorporated into the story. You never feel like you’re in the middle of a history lecture. The violence is realistic but never gratuitous or sensationally gory.
The biggest weakness of the book is the character development of the secondary figures–a skill that I think male writers of historical fiction often lack. But the story is so compelling and the details so vivid that I happily forgive the author for this one fault and eagerly look forward to the next volume of Robin Hood’s adventures!