In this current period of “social distancing,” it’s best to have large amounts of reading material on hand. (Not that my to-be-read pile has done anything but grow over the years.) Enter a Georgian historical mystery series! This is the first in a series featuring Alec Halsey, the younger son of an Earl and a career diplomat. I really liked Alec as a character and the secondary characters around him were well-portrayed and interesting. The plot also dealt with some issues you don’t typically read about in historical mysteries (no spoilers!) and dealt with them well, in historical context and with nuance. My only complaint is that the climax and ending of the book felt a little rushed. But that is a minor detail in a book that was well-researched with historical detail smoothly incorporated into the writing, an interesting plot, and lovely characters. I have already bought the second book in the series. 🙂
This book is a wake-up call for all parents who are prone to worry, stress, and over-protect their children, which is to say, the majority of us. The author is a former dean of freshmen at Stanford University and draws on her considerable experience dealing with young adults as well as referencing many studies and conversations with other experts to tell us all (with data to prove her points) that we are creating a generation of adults who aren’t able to perform basic life tasks, let alone think for themselves. The appeal of this book is that the author is optimistic about the future of young adults and provides examples and concrete tips (and lots of reassurances) about how to better parent children to produce independent, productive, and responsible members of society. While the book is most helpful to parents of younger children, even parents of college students and young adults can benefit. For those of you who have read my review of “The Coddling of the American Mind,” this book calls out similar themes but provides more practical child-rearing tips. I highly recommend it!
This book is the second of a trilogy (the first book being “Twelve Days a Faery.” Both books are standalone in the sense of despite the fact that there is an overarching narrative arc for the trilogy, the stories stand on their own (at least so far). Rafiq is a dragon who is being held in Thrall by Prince Akish. He’s not a fan of this state of affairs but has resigned himself to his fate. They are off to rescue a princess in an enchanted keep and encounter the princess’s servant, Kako, who offers to help with their quest. Despite the suspicions of both men, they accept her offer, and she accompanies them as they go through the Seven Circles (seven quests) to rescue the princess. The story is fairly straightforward as is the puzzle. But the author’s strengths are building a world of consistent magic, surprising you just when you think you have everything all figured out, and the depth of her characters. She’s not much on romance, but I forgive her this minor flaw because the characters are so interesting and compelling. The book is more a novella than a full-length book. It is a fast-paced and easy read. I highly recommend it!
I’m not typically a fan of military books on leadership as I often find that the traits that make for strong and capable leaders in the military don’t always translate to the private sector. This book is an exception to that assumption. While Jim Mattis (and his skillful co-author Bing West) draw upon Mattis’s experiences with the Marine Corps to convey their ideas of successful leadership, a surprising amount of their wisdom can be applied to the private sector. Specifically, Mattis’s leadership fundamentals of competence, caring, and conviction ring true as necessary for leaders in all organizations. In addition, his emphasis on recruiting for attitude (rather than skill), transparent communication, and tolerance of mistakes (on the theory that if risk-takers are punished, then only the risk-averse remain) are all values that companies would do well to follow. And his final point that leaders should shelter non-conformists and mavericks who make institutions uncomfortable is almost comical coming out of an institution better known for conformity, and I appreciated the point even more because of that. The writing is easy to follow, and the book is a quick read. (Never mind that it took me a couple of months–I was busy!) 🙂 There are interesting examples from his own career that are compelling from a historical perspective, but there’s no doubt that the conclusions he draws about successful leadership are principles that can be used anywhere today. I highly recommend!
This is an original take on a traditional fairy tale plot where unfortunate accidents happen to a prince’s girlfriends/fiancees, and the king has offered a reward to whomever breaks the curse. I enjoyed the first person narrative of the king, who is simultaneously shrewd about ruling his kingdom and oblivious about personal relationships. There is the obligatory mystery of who or what is causing the accidents and delightful world building of the faery world. Interesting backstories are hinted at although not fleshed out. In fact, my biggest criticism of the book is its novella length. There was so much more in the story that could have been elaborated on, but the short length of the book prevented that from happening. While this book is in no way equal to the author’s Two Monarchies series, it is a pleasant, fun, and unusual story. And the author’s writing is, as always, a pleasure to read. 3.5 stars.
This book is the first in a historical mystery series. The protagonist is a veteran of the Napoleonic wars and has returned to England with no money, no prospects, and PTSD. This is no light-hearted and frothy mystery but, rather, a gritty story that exposes the underside of London life, some of the horrors of the war and the after-effects for the returning soldiers. (Think more in the style of C.S. Harris and less in the style of Georgette Heyer.) Captain Lacey isn’t a particular likeable character in the first book, although he has some excellent qualities to him. There is a complicated back story for him, which makes him an interesting and somewhat mysterious character. Sometimes the hints thrown off about his back story come across as a bit manipulative, but you do want to learn more about him. Captain Lacey’s unpredictability and depression weave through the story like a train wreck–you know what’s coming but you can’t look away. I actually would give this book 3.5 stars, but I also tend to give debut novels of a series the benefit of the doubt. I will definitely read the second in this series to see how the character grows and (maybe) flourishes. Fans of the Sebastian St. Cyr novels should definitely check this series out!
This is the second book of the Two Monarchies Sequence. (“Masque,” which I reviewed earlier, was the first book written but is the last book in the series.) “Blackfoot” starts essentially right where “Spindle” left off, although the actual story starts several years later. The book starts Annabel’s story and continues Melchior’s story. And while there is no actual fairy tale inspiration for this book, it has all the requisite fantasy elements: an interesting heroine who is smarter than she gives herself credit for; a sarcastic and mysterious hero who is wise but not too wise; and an annoying but lovable best friend. The magic remains complex but internally consistent, and the villain is quite scary. My only disappointment after I finished this book is that there is only one more unread book in the series for me. (I may just have to re-read “Masque” to get all of the inside baseball references.) I can’t wait to see what the author writes next and the rest of her books are on my list to explore.
This book is a re-telling of the Sleeping Beauty fairy tale but to say that is like saying that Shake Shack is just another burger joint. This re-telling of Sleeping Beauty is original, intricate and complex. The magic (or, more accurately, the magics) are complicated and internally consistent. Poly, the heroine, suffers from imposter syndrome (people think she’s a princess) and is courageous and resolute. Luck, the hero, is enigmatic and occasionally annoying (in a good kind of way). Their relationship is simultaneously amusing and touching. The allies and enemies that Poly and Luck meet on the way are well characterized, and the time travel element fits well within a fantasy story (as opposed to a science fiction story). The prose is elegant and accessible, and the foundational elements of the fairy tale are recognizable while, at the same time, the author imaginatively expands the story line. I read the first two books of this series out of order, but they are both standalone books. W.R. Gingell is a gifted author, and I look forward to reading the next book in the series.
To say that this book is the retelling of the Beauty and the Beast fairy tale does the author an injustice. So, yes, “Masque” is a retelling of the traditional fairy tale, but it is one of the most fun and original retellings I’ve ever read. To begin with, the story is set in a setting where both magic and technology exist. But, more interestingly, a murder happens, and the heroine decides she wants to solve the murder. The heroine (who is the narrator of the story) is, in turn, sarcastic, irreverent, funny, and perceptive. I love her. The hero is also a strong character in his own right, but it is the heroine whose story it is and who tells it as she wishes. The secondary characters are fully formed and engaging in their own right, and the love story is reluctant and adorable. The only minor flaw in the book is that the mystery is not that complicated–I figured it out shortly after the first murder (and I hate figuring out the murderer before the end). But this book is so much more than the murder mystery and well worth the read. Note: this is the first book I’ve read by this author, and it looks like this is not a sequential part of but tangential to the Two Monarchies series. I am excited that I have 3 more books (and fairy tale retellings) to investigate! I highly recommend this book!
Historical mysteries are a tricky balancing act. On one hand, the author should paint a realistic portrait of the period and needs to include the necessary details to describe the setting in which the mystery takes place. On the other hand, the author should also write a compelling and interesting mystery. Often, historical mysteries fall into either the category of a history book with a run-of-the-mill mystery or the category of an interesting mystery with insufficient or inaccurate historical detail. This book falls into the former category. The author is clearly well-informed about the period (664 AD during a split between the Roman and Celtic churches) and writes about the shifting political alliances and complex religious issues with confidence and authority. But when I am able to guess who the murderer was within 10 pages of the murder, I know the mystery is not compelling. If you want to learn more about this relatively unknown period, the Sister Fidelma mysteries seem like a good way to absorb the information painlessly and easily. And I really like that the main character is a woman. But there are better historical mystery novelists out there–ones who can write knowledgeably about the period and produce a compelling mystery at the same time.