This is an original take on a traditional fairy tale plot where unfortunate accidents happen to a prince’s girlfriends/fiancees, and the king has offered a reward to whomever breaks the curse. I enjoyed the first person narrative of the king, who is simultaneously shrewd about ruling his kingdom and oblivious about personal relationships. There is the obligatory mystery of who or what is causing the accidents and delightful world building of the faery world. Interesting backstories are hinted at although not fleshed out. In fact, my biggest criticism of the book is its novella length. There was so much more in the story that could have been elaborated on, but the short length of the book prevented that from happening. While this book is in no way equal to the author’s Two Monarchies series, it is a pleasant, fun, and unusual story. And the author’s writing is, as always, a pleasure to read. 3.5 stars.
This book is the first in a historical mystery series. The protagonist is a veteran of the Napoleonic wars and has returned to England with no money, no prospects, and PTSD. This is no light-hearted and frothy mystery but, rather, a gritty story that exposes the underside of London life, some of the horrors of the war and the after-effects for the returning soldiers. (Think more in the style of C.S. Harris and less in the style of Georgette Heyer.) Captain Lacey isn’t a particular likeable character in the first book, although he has some excellent qualities to him. There is a complicated back story for him, which makes him an interesting and somewhat mysterious character. Sometimes the hints thrown off about his back story come across as a bit manipulative, but you do want to learn more about him. Captain Lacey’s unpredictability and depression weave through the story like a train wreck–you know what’s coming but you can’t look away. I actually would give this book 3.5 stars, but I also tend to give debut novels of a series the benefit of the doubt. I will definitely read the second in this series to see how the character grows and (maybe) flourishes. Fans of the Sebastian St. Cyr novels should definitely check this series out!
This is the second book of the Two Monarchies Sequence. (“Masque,” which I reviewed earlier, was the first book written but is the last book in the series.) “Blackfoot” starts essentially right where “Spindle” left off, although the actual story starts several years later. The book starts Annabel’s story and continues Melchior’s story. And while there is no actual fairy tale inspiration for this book, it has all the requisite fantasy elements: an interesting heroine who is smarter than she gives herself credit for; a sarcastic and mysterious hero who is wise but not too wise; and an annoying but lovable best friend. The magic remains complex but internally consistent, and the villain is quite scary. My only disappointment after I finished this book is that there is only one more unread book in the series for me. (I may just have to re-read “Masque” to get all of the inside baseball references.) I can’t wait to see what the author writes next and the rest of her books are on my list to explore.
This book is a re-telling of the Sleeping Beauty fairy tale but to say that is like saying that Shake Shack is just another burger joint. This re-telling of Sleeping Beauty is original, intricate and complex. The magic (or, more accurately, the magics) are complicated and internally consistent. Poly, the heroine, suffers from imposter syndrome (people think she’s a princess) and is courageous and resolute. Luck, the hero, is enigmatic and occasionally annoying (in a good kind of way). Their relationship is simultaneously amusing and touching. The allies and enemies that Poly and Luck meet on the way are well characterized, and the time travel element fits well within a fantasy story (as opposed to a science fiction story). The prose is elegant and accessible, and the foundational elements of the fairy tale are recognizable while, at the same time, the author imaginatively expands the story line. I read the first two books of this series out of order, but they are both standalone books. W.R. Gingell is a gifted author, and I look forward to reading the next book in the series.
To say that this book is the retelling of the Beauty and the Beast fairy tale does the author an injustice. So, yes, “Masque” is a retelling of the traditional fairy tale, but it is one of the most fun and original retellings I’ve ever read. To begin with, the story is set in a setting where both magic and technology exist. But, more interestingly, a murder happens, and the heroine decides she wants to solve the murder. The heroine (who is the narrator of the story) is, in turn, sarcastic, irreverent, funny, and perceptive. I love her. The hero is also a strong character in his own right, but it is the heroine whose story it is and who tells it as she wishes. The secondary characters are fully formed and engaging in their own right, and the love story is reluctant and adorable. The only minor flaw in the book is that the mystery is not that complicated–I figured it out shortly after the first murder (and I hate figuring out the murderer before the end). But this book is so much more than the murder mystery and well worth the read. Note: this is the first book I’ve read by this author, and it looks like this is not a sequential part of but tangential to the Two Monarchies series. I am excited that I have 3 more books (and fairy tale retellings) to investigate! I highly recommend this book!
Marie-Madeleine Fourcade was the the leader of a intelligence gathering group, the Alliance, in France during World War II that was instrumental in providing the Allies with key intelligence, including plans of Germany’s rocket program and coastal defenses in preparation for D-Day. The author explains the relative anonymity of her accomplishments as representative of the social mores and expectations of women, especially in France (although certainly true of the time as a whole). The account of Marie-Madeleine’s life is fascinating–her victories and success are impressive and her failures heartbreaking. The toll of lives lost working for the Alliance network was high (the Nazis executed dozens of Alliance members when it became clear they were going to lose the war), and time and again, networks had to be rebuilt after the Nazis swept in and destroyed them. This book is a fascinating glimpse into the difference one woman can make, against all odds, against the prejudices of her time, and against a brutal enemy that took no quarter. I highly recommend it!
Historical mysteries are a tricky balancing act. On one hand, the author should paint a realistic portrait of the period and needs to include the necessary details to describe the setting in which the mystery takes place. On the other hand, the author should also write a compelling and interesting mystery. Often, historical mysteries fall into either the category of a history book with a run-of-the-mill mystery or the category of an interesting mystery with insufficient or inaccurate historical detail. This book falls into the former category. The author is clearly well-informed about the period (664 AD during a split between the Roman and Celtic churches) and writes about the shifting political alliances and complex religious issues with confidence and authority. But when I am able to guess who the murderer was within 10 pages of the murder, I know the mystery is not compelling. If you want to learn more about this relatively unknown period, the Sister Fidelma mysteries seem like a good way to absorb the information painlessly and easily. And I really like that the main character is a woman. But there are better historical mystery novelists out there–ones who can write knowledgeably about the period and produce a compelling mystery at the same time.
A rather unusual premise: the heroine is about to be forced into an unwanted marriage with a despicable man and, to avoid the wedding, she runs off to become a housemaid in a reclusive earl’s household in the country. Naturally, the “housemaid” and the earl fall in love. I realize that “grounded in reality” is not a phrase a reader ever uses with respect to a Regency romance, but I found it difficult to believe that a young woman from an aristocratic household would convincingly pass off as a housemaid, even an inexperienced one. I also found it difficult to believe that an earl would ever think about marrying one of his housemaids, no matter how persuasively the author wrote the love story. That being said, the characters are charming and likable, the plot was no less a flight of fantasy than most romances, and I give the author points for the premise. It was a fun read. I rate the book 3.5 stars.
This is a perfect beach read, especially if you are Asian-American. The main character, Lana Lee, grew up helping out with her parents’ restaurant. Life goes a bit sideways on her, and she’s returned to work there while sorting out her life, putting up with her perfect older sister, and dealing with being the primary suspect in a murder case. Along the way, she learns more about her family’s past, tries to be an amateur detective, and meets a cute policeman. The tone is light-hearted, the heroine is likeable, and there are plenty of cultural references that resonate with those who grew up with immigrant Asian parents. The mystery is interesting without being too intellectually taxing. All in all, a solid debut to a series. If you are looking for a fun beach read, this is a good place to start!
I have to admit I was unenthusiastic about reading this book, as it was an assigned book for our son’s 11th grade English class. (Assigned reading is about as appealing to me now as it was when I was in high school.) That being said, I was pleasantly surprised by this book. The book takes place during the events leading up to John Brown’s ill-fated raid on Harper’s Ferry. Henry Shackelford, a slave, is mistaken for a girl by John Brown and his army, and it is from Henry’s perspective that we witness the various events leading up to Harper’s Ferry. Topics such as gender roles, slave vs free, abolitionists vs pro-slavers are all deftly explored in a spirit of genuine curiosity and open-mindedness. The author makes no heavy-handed proclamations but weaves the historical events and characters (including visits with Harriet Tubman and Frederick Douglass) together seamlessly with the protagonist’s personal journey of growth and self-knowledge. The end is well-known, of course, but the book is filled with depth, emotion, and a love for humanity that makes it well worth the read.