This is the latest (but hopefully not the final!) book in the author’s Two Monarchies series. I have loved all of the books in this series and highly recommend that you read them. This most recent book is the story of Susan Farrah and is an intricate tale of a Bluebeard-like villain, magic, and romance. It is a delightful read, full of drama and fun. The series is best read in order if you want to experience the most out of the characters. The author has a vivid and whimsical imagination that she transfers well onto paper. This book (and the series) is highly recommended!
A re-telling of the Cinderella fairy tale that turns everything you know on its head. In this version, the evil stepsisters are good, and Cinderella is bad. Now the stepsisters are accused of escaping from prison, killing Cinderella, and are on the run. (Just for the record, the statements are true, false, and true.) The re-telling is creative, imaginative, and fun. The story is irreverent, humorous, and a sly dig about confirmation bias. The romance is a bit deliberately topsy-turvy and quite fitting given the topsy-turvy nature of the story. The book is an enjoyable read and makes you think about all of those traditional fairy tales and how they could be turned upon their heads in a re-telling. I’ve greatly enjoyed all of this author’s fantasy stories. (I haven’t yet embarked on her urban fantasy series yet.) And I look forward to reading more of her work!
This book is the second of a trilogy (the first book being “Twelve Days a Faery.” Both books are standalone in the sense of despite the fact that there is an overarching narrative arc for the trilogy, the stories stand on their own (at least so far). Rafiq is a dragon who is being held in Thrall by Prince Akish. He’s not a fan of this state of affairs but has resigned himself to his fate. They are off to rescue a princess in an enchanted keep and encounter the princess’s servant, Kako, who offers to help with their quest. Despite the suspicions of both men, they accept her offer, and she accompanies them as they go through the Seven Circles (seven quests) to rescue the princess. The story is fairly straightforward as is the puzzle. But the author’s strengths are building a world of consistent magic, surprising you just when you think you have everything all figured out, and the depth of her characters. She’s not much on romance, but I forgive her this minor flaw because the characters are so interesting and compelling. The book is more a novella than a full-length book. It is a fast-paced and easy read. I highly recommend it!
This is an original take on a traditional fairy tale plot where unfortunate accidents happen to a prince’s girlfriends/fiancees, and the king has offered a reward to whomever breaks the curse. I enjoyed the first person narrative of the king, who is simultaneously shrewd about ruling his kingdom and oblivious about personal relationships. There is the obligatory mystery of who or what is causing the accidents and delightful world building of the faery world. Interesting backstories are hinted at although not fleshed out. In fact, my biggest criticism of the book is its novella length. There was so much more in the story that could have been elaborated on, but the short length of the book prevented that from happening. While this book is in no way equal to the author’s Two Monarchies series, it is a pleasant, fun, and unusual story. And the author’s writing is, as always, a pleasure to read. 3.5 stars.
This is the second book of the Two Monarchies Sequence. (“Masque,” which I reviewed earlier, was the first book written but is the last book in the series.) “Blackfoot” starts essentially right where “Spindle” left off, although the actual story starts several years later. The book starts Annabel’s story and continues Melchior’s story. And while there is no actual fairy tale inspiration for this book, it has all the requisite fantasy elements: an interesting heroine who is smarter than she gives herself credit for; a sarcastic and mysterious hero who is wise but not too wise; and an annoying but lovable best friend. The magic remains complex but internally consistent, and the villain is quite scary. My only disappointment after I finished this book is that there is only one more unread book in the series for me. (I may just have to re-read “Masque” to get all of the inside baseball references.) I can’t wait to see what the author writes next and the rest of her books are on my list to explore.
This book is a re-telling of the Sleeping Beauty fairy tale but to say that is like saying that Shake Shack is just another burger joint. This re-telling of Sleeping Beauty is original, intricate and complex. The magic (or, more accurately, the magics) are complicated and internally consistent. Poly, the heroine, suffers from imposter syndrome (people think she’s a princess) and is courageous and resolute. Luck, the hero, is enigmatic and occasionally annoying (in a good kind of way). Their relationship is simultaneously amusing and touching. The allies and enemies that Poly and Luck meet on the way are well characterized, and the time travel element fits well within a fantasy story (as opposed to a science fiction story). The prose is elegant and accessible, and the foundational elements of the fairy tale are recognizable while, at the same time, the author imaginatively expands the story line. I read the first two books of this series out of order, but they are both standalone books. W.R. Gingell is a gifted author, and I look forward to reading the next book in the series.
To say that this book is the retelling of the Beauty and the Beast fairy tale does the author an injustice. So, yes, “Masque” is a retelling of the traditional fairy tale, but it is one of the most fun and original retellings I’ve ever read. To begin with, the story is set in a setting where both magic and technology exist. But, more interestingly, a murder happens, and the heroine decides she wants to solve the murder. The heroine (who is the narrator of the story) is, in turn, sarcastic, irreverent, funny, and perceptive. I love her. The hero is also a strong character in his own right, but it is the heroine whose story it is and who tells it as she wishes. The secondary characters are fully formed and engaging in their own right, and the love story is reluctant and adorable. The only minor flaw in the book is that the mystery is not that complicated–I figured it out shortly after the first murder (and I hate figuring out the murderer before the end). But this book is so much more than the murder mystery and well worth the read. Note: this is the first book I’ve read by this author, and it looks like this is not a sequential part of but tangential to the Two Monarchies series. I am excited that I have 3 more books (and fairy tale retellings) to investigate! I highly recommend this book!