Book review: The Millionaire and the Bard by Andrea Mays

The Millionaire and the Bard: Henry Folger’s Obsessive Hunt for Shakespeare’s First FolioThe Millionaire and the Bard: Henry Folger’s Obsessive Hunt for Shakespeare’s First Folio by Andrea Mays
My rating: 4 of 5 stars

The Folger Shakespeare Library (located in Washington, DC) has the world’s largest collection of First Folios (the original compilation of Shakespeare’s plays). To explain how the largest collection of the world’s greatest English language author ended up in the United States, Andrea Mays sets out to explain how Henry and Emily Folger became interested in Shakespeare and his works. It’s a fascinating story of how Henry went from a student who went to college on scholarship to a wealthy and obsessive collector of all things Shakespeare.
The Folgers lived a frugal lifestyle, devoting every penny they could to their growing collection of Shakespeare First Folios and other Shakespeare-related items. Their wealth came from Henry Folger’s extremely successful career at Standard Oil. I thought the treatment of Standard Oil was very even-handed. The author is clearly well versed in economics and understands that Standard Oil’s ability to scale and take advantage of efficiencies resulting in low fuel prices for consumers. The fact that Rockefeller and Standard Oil were victims of a hatchet job skillfully performed by a journalist on a vendetta does not blind the author to the very real benefits gained by consumers thanks to Standard Oil (to the dismay of Standard Oil’s competitors).
Whatever your personal feelings about Standard Oil, there is no denying that Henry Folger’s professional success there enabled Henry and Emily Folger to assemble a stunning collection of First Folios and ultimately creating the Folger Shakespeare Library so that the collection could be shared and made accessible to the public. It was an extraordinary gesture of philanthropy and generosity. And the book gives an excellent portrayal of the two extraordinary people who made it possible.

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Folger Shakespeare gala April 2016

The Folger Shakespeare Library has the world’s largest collection of First Folios, the first publication of Shakespeare’s plays.  (They are stored in a huge vault, which is way cool to visit.)  It is an organization that provides scholarly resources for academic research, concerts and plays, and education curricula for K-12 teachers.  One of its missions—and the one that resonates most with us—is to make Shakespeare relevant to the 21st century.
The First Folios are currently on tour as we celebrate the Wonder of Will, otherwise known as the 400th anniversary of Shakespeare’s life.
I’m on the Board of Governors for the Folger, and the annual black-tie gala was held on April 18.  We raised over $400,000 for the Folger and its programs.  The kids came along and invited some of their friends as well.
I’m including some photos, including a fabulous shot by the Folger photographer of the Reading Room, which looks like it walked straight out of the 17th century (but with plumbing!)

Jim with actor Wendell Pierce

Jim with actor Wendell Pierce

with Denise Levy

with Denise Levy

the gang of 11th graders

the gang of 11th graders

the gang of 8th graders

the gang of 8th graders

the Folger reading room

the Folger reading room

You can find out more about the Folger at www.folger.edu, and you can find out where you can go see a First Folio on tour at http://www.folger.edu/first-folio-tour.

Henry IV, parts 1 and 2 (Shakespeare Theatre)

The Shakespeare Theatre in Washington, DC has been putting on Henry IV, parts 1 and 2 these past few weeks. We took our kids to see both performances, and here are our collective family thoughts.

For those unfamiliar with the plays, Henry IV has deposed (and probably killed) his cousin, Richard II and ascended the throne. His oldest son and heir, Prince Hal, carouses in taverns with Lord John Falstaff. The plays trace the growth and maturity of Prince Hal from “party animal” to king.

The second of the two plays is much more somber in tone, as Hal comes to terms with his responsibilities and sheds his old life and friends. Both plays are excellent productions. Edward Gero (who has played Scrooge in Ford’s Theatre’s annual production of “A Christmas Carol” for several years) is Henry IV. Stacy Keach plays Falstaff. Prince Hal is played by Matthew Amendt. The acting is well done and restrained. It is easy to play Falstaff as a caricature (and he is for much of Part 1), but his buffoonery is shown for the weakness it is in Part 2. Similarly, playing Prince Hal requires a deft touch so that you understand and appreciate the wild youth but also understand and appreciate the prince’s growth into a king. His role is the emotional linchpin of both plays. Henry IV is seen initially in Part 1 as a strong and decisive ruler, and it is only in Part 2 that you see the unease and insecurity of a man who won the throne by force as opposed to inheriting it.

Our fifteen year old daughter much preferred Part 1 over Part 2. In fact, she completely disagreed with Prince Hal’s decision to turn his back on his old friends and banish Falstaff. The drunken carouser was much more interesting to her than the responsible king. <sigh>

Our twelve year old son also preferred Part 1—mainly because there was a battle scene in it. He liked the broad comedic value of Falstaff (which mostly vanishes in Part 2). Much of the issues of responsibility and maturity went over his head, but shedding friends is not his style, and he also disapproved of Prince Hal for doing so.

Jim and I generally preferred Part 2 over Part 1. The coming-of-age theme resonated with us in a way that it understandably did not with our children. This was an extremely well done production, and we highly recommend seeing it.

William, Victor (sort of), Charles and Peter

This past holiday break has allowed us to do some things that we don’t normally have time to do (like seeing 3-hour movies, but I digress).  There were several productions that we saw that we very much liked.

The first is the Shakespeare Theatre’s A Midsummer Night’s Dream.  The Harman Hall stage resulted in a very clever staging of this light-hearted comedy.  There were times, however, when I thought the staging was cleverer than the acting, but, overall, it was a pleasant and well-done version of the play.  The brawl between the two lead female characters was particularly well done.  Our two children both enjoyed the production as did we.

We also saw the National Theatre’s production of Les Miz (the movie is on our list of things to see).  Jean Valjean is the linchpin of any production of Les Miz, of course, and we thought this particular production had a strong actor in that role.  Javert was also excellent.  (Our daughter wasn’t a fan of Javert because the actor reminded her of a substitute teacher that she particularly disliked.  It lent an air of authenticity to the production for her.)  Fantine’s voice was beautiful as well.  It is one of our favorite musicals, and this particular production did not disappoint.

One of our annual holiday traditions is taking the entire family to see Charles Dickens’s A Christmas Carol at Ford’s Theatre.  It gives us goosebumps every year to look up and actually see the box that Abraham Lincoln was sitting in when he was assassinated.  As with Les Miz, the casting of the main character, Ebeneezer Scrooge, is the key to a successful production.  This year’s actor was the same as last year’s actor, but he played the character a little differently than last year.  Less curmudgeonly but more Grinch-like, if that makes any sense.  We do require a satisfying redemption scene at the end of the play in order to feel complete, and this production fulfilled our expectations in that regard.  Christmas doesn’t feel like Christmas if we don’t see A Christmas Carol.

Finally, the behemoth Peter Jackson film otherwise known as The Hobbit.  We had originally seen it in the Udvar-Hazy theatre (the Smithsonian Air and Space Museum near Dulles Airport) with its six story IMAX theatre.  Fifteen minutes before the end of the movie (when all the dwarves, Gandalf, and Bilbo are treed, for those who have seen it), the entire museum lost power.  Oops.  I then went and saw it again (at a lesser theatre) so that I could see what happened in the last fifteen minutes.  I understand the criticism leveled at the movie—it very much is not in the tone of the book but, rather, is more epic and in the same vein as the Lord of the Rings trilogy.  The movie also moves slowly in parts.  On the other hand, it is beautifully filmed and much of the background plot (derived from The Silmarillion and some of Tolkien’s other works) is meant as a richer prequel to the Lord of the Rings trilogy than most prequels are.  It clearly works for Tolkien geeks.  I’m not sure how well it works for the normal human population.  All I know is it works for me.  The movie is rated PG-13, and I think it’s a fair rating.  There is a lot of violence in the movie, mostly directed at orcs and goblins.  The themes are also fairly mature.  That being said, our eleven year old son loved it and happily sat through the almost 3 hour movie with no complaints.  Our fourteen year old daughter was thoroughly bored, but she is not a Tolkien fan.  I am seriously thinking of disowning her for her heresy.

Two Gentlemen of Verona

We saw Two Gentlemen of Verona at the Shakespeare Theatre in DC on Friday.  We have been season ticket holders for over 10 years.  Our philosophy on the Shakespeare Theatre season is that we go to the Shakespeare plays, but we are hit-and-miss on the non-Shakespeare plays.  Plays by playwrights such as George Bernard Shaw and Christopher Marlowe are good, but plays by Henrik Ibsen and Harold Pinter are not.

We very much enjoyed this particular production of Two Gentlemen of Verona.  The play itself is generally believed to be one of the first (if not the first) plays written by Shakespeare, and you can see early versions of plot devices in this play that he uses in subsequent plays.  The staging was also excellent and creative.  The characters were dressed semi-historically (with doublets and long gowns), but the set was somewhat post-apocalyptic, and there was music from Rihanna and U2 (both of which, I’m fairly sure, post-date William Shakespeare).  The acting was well done, and we very much enjoyed seeing Euan Morton, whom we had seen before as the lead character, Leo Frank, in Parade at Ford’s Theatre and as Anatoly Sergievsky in Chess at Signature Theatre.  We think he’s a very gifted actor and singer, so it was a pleasant surprise to see him at the Shakespeare Theatre.  The rest of the cast was very good as well, but it’s always nice to see a familiar face in a production.