Our daughter and I attended the Folger Shakespeare Library production of “Sense and Sensibility” last night. (Jim is, to put it in an understated way, not a devotee of Jane Austen, describing her works as nothing but “yakety yak”). Needless to say, he was not invited to come to the play.
Adaptations of Jane Austen’s works can generally be lumped into two categories: period melodramas that take every word written by this brilliant author as proclamations from the deity versus lighthearted comedies (a la the movie “Clueless”) that recognize the works for what they are—satiric commentary on societal foibles.
This production of “Sense and Sensibility” definitely falls into the latter category. The set is creatively imagined, with the furniture mounted on wheels so that the actors move quickly and ingeniously to new positions to mark a different setting. Several of the actors play dual roles, marked by the wearing or absence of glasses or a ruff (the highlight is the actor who plays Edward Ferrars also playing his drunken younger brother). And the aisles of the theatre are also considered fair game in this staging.
The production is lighthearted, well acted, and does not take itself too seriously. It is high energy rather than languorous, impetuous rather than deliberate. We loved it (despite all the yakety yakking).
“Sense and Sensibility” is playing at the Folger through October 30 (http://www.folger.edu/events/sense-and-sensibility).